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October's Featured Architect: Gyo Obata

This month’s featured architect is Gyo Obata, my friend and the gifted architect behind HOK (Hellmuth, Obata, Kassabaum)—the St. Louis architecture firm of international fame. Obata is Japanese-American and was born in San Francisco, coming of age in the turbulent era of World War II. In 1942, Obata narrowly missed being sent to an internment camp for people of Japanese descent when, the night before internment, he received word of having been accepted into the architecture program at Washington University in St. Louis. He left that night. Both of Obata’s parents had been artists—his mother, Haruko Obata, was a floral designer and his father, Chiura Obata, was a painter whose work is also part of my private art collection. Gyo Obata himself has been one of the most influential architects of his time. Following his graduation from Washington University, Obata went to graduate school outside of Detroit, studying under the Finnish architect Eliel Saarinen at Cranbrook. Some years later he was recruited to work for architect Minoru Yamasaki, with whom he designed Lambert Airport in St. Louis—one of the first modern airports to invoke the glamour and ingenuity of travel while the traveler was still on the ground. As Yamasaki’s health declined, Obata joined forces with colleagues and Washington University alumni George Hellmuth and George Kassabaum to form HOK. This was in 1955 and allowed Obata to focus completely on design while Hellmuth worked on marketing and Kassabaum dealt with operations. From the beginning, it was important to them to create a highly diversified firm that had a fully integrated architecture, engineering, and design practice, allowing them to expand quickly and become the extensive firm it is today with more than 1,600 employees and 24 offices worldwide.

September 29, 2020

2020
Inspiration
Architecture

The New, New Workplace

My Design/Build company, Clayco, delivers approximately 4,000,000 square feet of class A office and call center space per year to Fortune 100 companies and other major employers. For us, creating productive work environments has always been second to the safety, security and well-being of our clients’ employees. That was before COVID-19. Now those three are even more of a priority. During recent conversations with CEOs, facility managers and chief talent officers/HR executives, we’ve speculated about what preparations may be necessary to return the workforce to the office. CEOs want their employees back for various reasons, and there are important decisions to be made, both for a few months from now, hopefully, and far beyond. A number of us working from home are struggling with tools we may have dabbled in before but which are now front and center for conducting business. Between the user interface, an overloaded Data Center capacity because of the unanticipated surge in use of Microsoft Teams, Webex, Zoom and other products, it’s been challenging. While the option of having some our workforce at home is probably here to stay, it’s often easier to collaborate, communicate and find efficiencies in the office. However, the executives I’ve talked to are eager for a return to normal, but ONLY when it’s safe. We will certainly require new guidelines, CDC recommendations and suggestions from major health institutions. As employers, it will be our job to create work environments where “de-densifying” and social distancing can work in every department. Some companies have already started thinking about a “care package” to be distributed to their workforce before they return to work. This could include guidelines and maps for new routes to their workspaces, healthcare products like hand sanitizer and masks, and even goggles. Work hours may be staggered in some facilities. Making workers feel that their managers care about them and their families will be critical. The front-line facility people will be more important than ever. Property management, security, compliance and life safety should be top of mind. Re-evaluating every step from receiving for deliveries to the dock door itself, as well as the best cleaning products to use, will need to be scrutinized to protect those involved. Safeguarding up-close contact areas with plexiglass separations, to having more sophisticated UV protection in the HVAC system, more fresh air overall, and other mechanical changes, will be required.

September 23, 2020

2020
Adventure
Life Lessons
Essays

Aimé Mpane

Aimé Mpane is a Congolese artist who splits his time between Brussels, where his studio is based, and Congo, where he grew up and continues to do research for his work. Originally trained in sculpture before moving onto painting, Mpane’s pieces are a mixture of sculpture, painting, and installation that speak to the legacy of colonialism—something that Mpane has experienced firsthand. Because of this, he felt convicted to address these issues through his work. Despite the atrocities of colonialism and globalization, Mpane infuses his work with hope and a sense of endurance, appealing to human solidarity and courage. He does, however, remind viewers that colonialism and racism are not simply things of the past, they are very much alive and present in the experiences of people in Congo and those who are living in the diaspora. It is not just scars from the past, there are still wounds being inflicted. When asked how he manages to remain so positive, despite his experiences of racism and colonialism, Mpane responds that it is important that people are able to understand one another, to see the experience of the other and put oneself in their shoes. If people don’t have dialogue, if they are unable to speak to one another openly, then there will be no advancement. Mpane has created works that are on display in public spaces and in museums, such as his sculpture in front of the Belgian Embassy in Kinshasa and the monumental sculpture he designed especially for the re-opening of the Royal Museum for Central Africa in Tervuren, Belgium. He also creates exhibitions and aims to work with galleries that are not African-art themed. Mpane’s reasoning for this is that he wants his work to be viewed by American and European curators so that his reach and messaging can go beyond the classification of “African art.”

September 9, 2020

2020
Impact
Inspiration
Clark Art Collection
Art
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