Nathaniel Mary Quinn is an artist whose incredible work stays with you. Known for his captivating collage-like portraits, Quinn has created a distinct style that is a unique blend between mixed media drawings and paintings of fragmented figures that play with the viewer’s perception of identity. Quinn was born and raised on the South Side of Chicago, where he grew up in the Robert Taylor Homes public housing project. It was here that he discovered an early passion for drawing, and when was in the ninth grade, he received a scholarship to study at Culver Academy boarding school in Indiana. While enrolled there, Quinn was told that his mother had passed away suddenly, and when returning home from school for Thanksgiving, he also found that the rest of his family had abandoned his childhood home with no explanation.
March’s featured artist of the month is Brooklyn-born, Candida Alvarez. She is well-known for her bold and colorful creations such as the piece featured above. I became acquainted with her work through her involvement within Chicago and the Art Institute of Chicago. The painting featured in the Clark Collection, titled “No Chickens,” is particularly special because we added it while it was still being made. Since 1998, Alvarez has been a tenured professor of Painting and Drawing at the School of the Art Institute of Chicago. Alvarez works in a range of diverse mediums, including but not limited to sculpture, collage, and painting. Her work is often highly complex. It is full of pop, historical, and modern art references, while also incorporating world news and personal memories.
Memorial at the Ellen S. Clark Hope Plaza, Washington University School of Medicine. The pandemic has demonstrated a lot of things about the medical community and the reality of disease in this day and age. For one thing, when something like COVID affects the entire global population, all hands are on deck in figuring this thing out. There is no end to the necessary resources like time and the energy of the greatest minds in the scientific community. Many of us can see the value of putting so much into solving one of the most difficult challenges of our time.
We’ve entered a new year, and we have a new administration, yet the challenges that we face as Americans are as old as any of us can remember. Every February, we celebrate Black History Month and then feel like we have done our part in recognizing both the adversity and the contributions of Black Americans in the making of America as we know it. However, I would argue that recognition limited to this one month, the shortest month of the year in fact, is not enough. Understanding and celebrating Black history is critical to the unification and healing that our country so deeply needs. What has been obvious to Black communities for the past couple of centuries, has finally made its way into broader American awareness, amplified by the events of 2020. This awareness is most welcome, but it is our response to the awareness that will be the most important thing.
My great friend, Theaster Gates, is a visual artist and urban planner who describes himself as “equal parts artist, bureaucrat, and hustler.” As an artist, Gates creates multimedia projects, installations, and performance art that confront issues of social justice, racial inequality, and poverty in the United States.
Untitled (Pen), 1998. C-Print. Gallerist: Kavi Gupta, Chicago Kerry James Marshall was born in 1955 in Birmingham, Alabama before his family moved to South Central Los Angeles where he was raised in the Watts neighborhood—known for the riots in 1965 that were a response to police brutality. Marshall witnessed the riots and grew up surrounded by the Civil Rights and Black Power movements of the 1960s, which impacted him deeply and shaped his perspective as an artist.
Some of the key choices that we get to make in this life are the things we prioritize, both with our finances and with our energy and efforts.
Over the course of my life, my priorities have shifted immensely, and I now spend a large amount of my time focusing on the work that our foundation is doing, as well as being engaged in impactful community efforts. The majority of the work that we are a part of is aimed at issues directly affecting my family and the Clayco community.