In the aftermath of George Floyd’s death in 2020, corporate America promised to become more inclusive. Faced with public demands for social justice reforms, companies vowed to improve racial and ethnic diversity within their workforces, among their leadership ranks, and on their boards. While there has been some movement during the last two years, progress overall has been slower than expected. Corporate America is still trying to figure out how to reach equitable diversity levels and make their companies more reflective of the nation’s changing demographics.
Lauren Halsey is one of the most exciting young artists working today. She produces standalone artworks in sculpture and mixed media, and site-specific installations, particularly in the South Central neighborhood of Los Angeles where her family has lived for several generations. She has the vision of an activist, and her work explores the relationship between architecture and community engagement in urban centers. Her sculptural environments and flat works combine imagery from contemporary life in Harlem and LA with ancient Egypt, outer space, technicolor, and funk.
We’re excited that after two years of planning, construction will finally begin on Washington University School of Medicine’s new Ambulatory Care Center. It’s going to consolidate nearly all outpatient cancer treatment in one building, which will allow patients to get more comprehensive care at a single location as opposed to visiting multiple locations in the current medical complex. As anyone who has experienced a serious illness like cancer knows, it’s so important for doctors and medical providers to do as much as possible to make the treatment process streamlined and comfortable for patients. The Ambulatory Care Center will help fulfill this promise and obligation. It’s a huge step forward in making cancer care a better experience for those who are undergoing treatment as well as their families who are there to support them.
It was great to be selected as a member of the Chicago Committee on Design. We recently had our inaugural meeting, and I’m glad that I was a part of it. The Chicago Committee on Design is made up of 24 local leaders and urban design professionals hand selected by Chicago’s Department of Planning and Development to work with Commissioner Maurice Cox on important development projects and urban design initiatives. Its main purpose is to offer expertise, guidance, and suggestions for DPD as well as the members of the project’s development team, and meetings are also open to the public for feedback and testimony. The Committee will advise the city and developers about innovative, attractive, and cost-effective elements with members who are leading architects, artists, academics, and real estate professionals.
Nathaniel Mary Quinn is an artist whose incredible work stays with you. Known for his captivating collage-like portraits, Quinn has created a distinct style that is a unique blend between mixed media drawings and paintings of fragmented figures that play with the viewer’s perception of identity. Quinn was born and raised on the South Side of Chicago, where he grew up in the Robert Taylor Homes public housing project. It was here that he discovered an early passion for drawing, and when was in the ninth grade, he received a scholarship to study at Culver Academy boarding school in Indiana. While enrolled there, Quinn was told that his mother had passed away suddenly, and when returning home from school for Thanksgiving, he also found that the rest of his family had abandoned his childhood home with no explanation.
March’s featured artist of the month is Brooklyn-born, Candida Alvarez. She is well-known for her bold and colorful creations such as the piece featured above. I became acquainted with her work through her involvement within Chicago and the Art Institute of Chicago. The painting featured in the Clark Collection, titled “No Chickens,” is particularly special because we added it while it was still being made. Since 1998, Alvarez has been a tenured professor of Painting and Drawing at the School of the Art Institute of Chicago. Alvarez works in a range of diverse mediums, including but not limited to sculpture, collage, and painting. Her work is often highly complex. It is full of pop, historical, and modern art references, while also incorporating world news and personal memories.
Some of the key choices that we get to make in this life are the things we prioritize, both with our finances and with our energy and efforts.
Over the course of my life, my priorities have shifted immensely, and I now spend a large amount of my time focusing on the work that our foundation is doing, as well as being engaged in impactful community efforts. The majority of the work that we are a part of is aimed at issues directly affecting my family and the Clayco community.