The Clark family began collecting art more than ten years ago, centering the collection on the work of emerging Black artists in North America and beyond. Collecting art from emerging artists is a form of supporting and advancing the development of the artists’ careers. Just as significant is the empowerment this form of support offers to contemporary social and cultural movements, of which the art is often a part, being that the work is usually a reflection of what is happening in the present moment.

Thematically much of the collection speaks to issues of representation and collective memory, confronting systems of power and recorded history which have constructed versions of race, ancestry, migration, gender, sexuality, and class that warrant contestation. Many of the artists engage their work as visual and social activism, aiming to provoke viewers into civic participation, if not full-blown activism. Throughout the Clark Collection, history, politics, identity, and popular culture are disrupted by artists who create with eclectic materials in mediums spanning the visual arts.

The majority of the Clark Collection is on display in the Clarks’ private residences, with the exception of a few pieces—most notably the portraits of President Barack Obama and First Lady Michelle Obama, which are on display in the National Portrait Gallery. These portraits were painted by Kehinde Wiley and Amy Sherald, respectively.

Art Collection

The Clark family began collecting art more than ten years ago, centering the collection on the work of emerging Black artists in North America and beyond. Collecting art from emerging artists is a form of supporting and advancing the development of the artists’ careers. Just as significant is the empowerment this form of support offers to contemporary social and cultural movements, of which the art is often a part, being that the work is usually a reflection of what is happening in the present moment.

Thematically much of the collection speaks to issues of representation and collective memory, confronting systems of power and recorded history which have constructed versions of race, ancestry, migration, gender, sexuality, and class that warrant contestation. Many of the artists engage their work as visual and social activism, aiming to provoke viewers into civic participation, if not full-blown activism. Throughout the Clark Collection, history, politics, identity, and popular culture are disrupted by artists who create with eclectic materials in mediums spanning the visual arts.

The majority of the Clark Collection is on display in the Clarks’ private residences, with the exception of a few pieces—most notably the portraits of President Barack Obama and First Lady Michelle Obama, which are on display in the National Portrait Gallery. These portraits were painted by Kehinde Wiley and Amy Sherald, respectively.